🎯 STATIC – a shot that says nothing… and everything
A shot where the camera doesn’t move an inch – like a frozen frame. A static shot can be powerful, like the silence before a race – but only if it’s intentional. Still doesn’t mean boring. Here, everything is built on composition.

🎯 PAN – cinematic glance to the side
A smooth turn of the camera left or right – like turning your head. PAN reveals space, introduces context. But beware: without purpose, it becomes meaningless. Left to right? Feels natural. Right to left? A bit more intriguing.

🎯 TILT – like looking up or down without moving your feet
TILT is a vertical motion, up or down – like nodding your head. Great for revealing something step by step: from shoes to face, floor to sky. PAN’s cousin, just vertical. Calm, fluid, story-driven.

🎯 ZOOM – getting closer, from a distance
ZOOM IN and ZOOM OUT are optical close-ups without moving the camera. On a smartphone? Hard to do without losing quality. In MoJo, it’s often better to move closer than to stretch pixels.

🎯 BOOM UP/DOWN – like an elevator ride
BOOM is vertical motion – not rotating, just lifting or lowering. Like your phone riding a mini elevator. Great for revealing a subject, a detail… or rising emotion. Just don’t confuse it with a TILT.

🎯 SLIDE LEFT/RIGHT – like gliding on rails
A horizontal move to the left or right – like your camera’s on invisible tracks. Like BOOM, but sideways. Perfect for revealing scenes, uncovering elements, or following your subject. Smooth and elegant – as long as your hand stays steady.

🎯 DIAGONAL MOVE – like climbing or descending sideways
Not straight up. Not just sideways. But both – a gentle diagonal move. Like walking up or down stairs at an angle. This shot adds rhythm, mood, and depth by breaking the straight lines.

🎯 PUSH IN – zoom with your feet
Moving the camera closer to the subject is more than a technique – it’s an invitation. PUSH IN builds emotion, intimacy, tension. But only if you know where you’re going.

🎯 PULL OUT – taking a step back
You slowly step back, giving space to the scene. PULL OUT is perfect for endings, reflection, or revealing context. One move, and the story widens.

🎯 DUTCH ANGLE – as if gravity got confused
Instead of keeping the horizon straight, the camera is tilted to one side – on purpose. This creates a sense of unease, tension, or psychological imbalance. It’s used in thrillers, action scenes, or moments when the world feels off-centre.